![]() That's the thing that blew a lot of people away was like, Grandmaster Flash and the Furious Five made some very danceable hip-hop music, but when that record came out, it totally changed everything."Īsked what the title of the song meant to him, Chuck D said, "It means pay attention to the words of hip-hop instead of just the beat." So the change, it came overnight," Chuck D said. "When 'The Message' came out, there was nothing like it. But the future Public Enemy emcee told ABC News that he was "stunned by it." When "The Message" by Grandmaster Flash and the Furious Five was released in 1982, Chuck D, who would become a hip-hop icon himself, was only a teenager. We spoke about environments that were overlooked, that didn't have a voice, you know, that didn't have a say, that didn't have pretty much anything." "Because we spoke our own unapologetic truth. it was that voice of the streets that they didn't know what the next line is gonna be and that scared them," he told ABC News. "It was that voice that America couldn't control. In the early 1970s when hip-hop was born in the Bronx, New York, poverty and brutality plagued Black communities, but discussions on race and racism in America were considered taboo and, in the media, the Black experience was stigmatized and suppressed.ĭetroit rapper and activist Royce da 5'9'' said that amid this void, hip-hop artists in the '80s "pushed the envelope in terms of exercising their First Amendment right" and became "the voice of the streets." Decades before "Black Lives Matter" became a global hashtag touted by celebrities and leading politicians, hip-hop artists were profiled, targeted and vilified for broadcasting those same systemic injustices that plagued Black America - a reality that for decades was shut out of mainstream media.
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